MarcoTamayoEdition  


Principles of classical guitar performance

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At an early age I noticed that the relatively complex movements for the interpretation of the music on the classical guitar offered difficulties for many people. This was, together with the interest in finding the reason for the controversy, the motor for my own research. The movements of the hands and fingers are subjected to physical laws. I call them "Principles for interpretation on the classical guitar." Given these principles, a difficult passage becomes easy and playable in short time.


With my Edition I bring to your attention works with suggestions and fingerings based on the principles. It may be that at first glance they seem complex, however, they will allow you to achieve a much easier interpretation. The vast majority of my fingerings work on all hands. There will be passages where I suggest a second variant, and there may be other possibilities which are not listed due to lack of space and possibly less relevance.


Kindly,

Marco Tamayo

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